Best graphic design portfolios movie#

These days, it's not just a magazine but more of a platform that spans various mediums. It was originally launched in 1981 as a quarterly supplement to Marketing Week, then later became a stand-alone monthly magazine. Popularly known as the bible of the advertising industry, Creative Review is a bimonthly print magazine focused on design, advertising, photography, branding, digital products, film, and gaming. The magazine examines different creative scenes both locally and internationally, showcasing the works of Japanese designers from various regions, highlighting Arabic typographers, and more.

Why it inspires: Idea's design is a play on colours, layouts, and paper types, creating a one-of-a-kind printed product. It approaches history through the reprinting and re-engraving of European typefaces, features examples of custom typeface production and extensive collaboration, and shows the development of unique applications and digital devices for various typefaces and systems. This special issue focuses on a number of typeface designers who transcend traditional typeface design and calligraphy practices. The latest issue, 403, is titled 'Typeface Design for the Voice of the World: The Works of Toshi Omagari'.

It's available in both print and digital editions. Founded in 1953 by Okumura Yukimasa, it's a bilingual publication written in Japanese, but many of its texts also appear in English. Idea is a magazine about graphic design and typography published quarterly in Tokyo. Why It Inspires: Apart from its meticulously curated content, the magazine itself is a testament to the power of good design, with every page exuding creative brilliance. The latest issue (64 Sep-Oct 2023) features the award-winning projects from its Annual Design Competition, along with in-depth profiles of Toronto-based animation studio Polyester Studio and São Paulo ad agency Leo Burnett Tailor Made, along with articles on advertising and design. The publication is based in California and covers graphic design, advertising, illustration, photography, interactive design and typography. It showcases the best in visual communications, from typography to illustration and everything in between. Why it inspires: Eye doesn't just showcase designs it tells the stories behind them, giving designers a comprehensive look at the 'why' and 'how' of standout design work.įounded in 1959 by Richard Coyne and Robert Blanchard, Communication Arts remains one of the premier sources of inspiration for graphic designers around the globe today. The next issue comes out in late October. Founded by Rick Poynor in 1990, the magazine is based in London and its latest issue, 104, features a profile of legendary art director designer Peter Knapp, an overview of Pentagram's overhaul of The Philadelphia Inquirer, and a feature on motion design by editor John L. Eye MagazineĮye Magazine delves deep into the world of graphic design and visual culture. To help you find the right title for your interests, we've gathered together the best magazines every graphic designer should consider subscribing to – in one accessible place. So, reading one is a great way to see design from a different perspective and get renewed enthusiasm for your craft. In short, if all you ever do is scroll through articles on your phone, you're really missing out.įor graphic designers especially, print magazines offer a source of inspiration that's tangible and immersive and presents content in a completely different visual way to digital.

Best graphic design portfolios movie#

It's like the difference between watching a movie in the cinema versus the TV at home or those uncomfortable 'Zoom drinks' we had in the pandemic versus actually going to the pub. Because honestly, the tactile experience of flipping through a beautifully designed magazine remains unmatched.

When was the last time you read a printed magazine? For most of us, even some of us who work in the media, the answer is probably: 'I can't remember.' And in an era dominated by digital, one might be tempted to think that print has lost its relevance.īut that would be a mistake.